Fletcher can’t believe it. With "La La Land," Chazelle hasn't fully atoned for his "Whiplash" sins, but he has gone a very long way toward making amends. He makes small talk about Neiman’s parents and where his musical inspiration comes from. Neiman struggles with one particular rudiment, the double time … He has become drumming. Neiman calls into question his dads attitude to not making it. In the scene where J.K. Simmons yells "I will fuck you like a pig," you may notice that the camera cuts away from him when he delivers that line. He waits.p.23–27: members of studio band filter into the room, TANNER the Core drummer introduces himself to Neiman by telling him to tune the set and turn the pages. Even Neiman’s father challenges him and Neiman is only happy to rise to the challenges and let everyone know what he thinks much to the chagrin of all the others at the table.p.54–55: Neiman and Nicole in a coffee shop. Fletcher is emotional. Neiman searches he crowd, he sees Jim exiting and Nicole with her boyfriend. He makes it obvious he’d like to try out for Fletcher’s band, the conductor makes it obvious that that outcome is highly unlikely and maybe he could think about starting a rock band.p.10: Neiman walks through the hallways with a transfer application in his hand, he hears music Sent from my iPadp.10–11: Neiman in the practice room playing hard, trying to keep up with a metronome as he rehearses his double time swing, faster, faster until his stick breaks. I didn't get whiplash, it wasn't a bad accident but it was really funny. He’s distracted, he’s speeding. His dad leaves and Neiman looks at his phone, his finger hovers over Nicole’s name. Before they finish tears are in his eyes. Fire in his eyesp.100–105: He takes his seat, Fletcher stares at him smugly. Neiman goes home and practices hard, so hard his hands are bleeding. Fletcher enters and introduces Neiman to the rest of the band. The band are blasting away, Fletcher and Neiman continue to stare each other out, the mouth insults to one another. We meet Nicole who works on the concessions stands. He challenges Fletcher who notes he doesn’t even have sticks. Fletcher annoyed but knows what must happen. "A 22-second sample of the pre-chorus of the song, which features Gomez delivering her lines in a thick He looks to a picture of Buddy Rich on the wall and then back at his transfer paper. Fletcher tries to stop him and Neiman tells him he will cue the band. As the interrogation continues, Neiman is seen questioning his own decision, does he really want to leave? Neiman sits almost in admiration, watching as a good looking well built male flirts with a girl. Fletcher stops the band, he cues them back in, he reassures Neiman and tries to get him to pick up the correct tempo. Ryan excitedly starts to pick up and move off when Fletcher indicates that he meant Neiman. As Neiman leaves, Fletcher tells him if he wants the part he should earn it. Several critics compared the song to the works of Spears.
He tells the story of Parker being laughed off stage, going away crying and coming back a year later to perform the best solo the world has ever heard. Fletcher calls his name, an awkward hello. To rub it in he had given Connolly the new music to rehearse earlier. Fletcher tells him good job. At this, Neiman snaps. She says she will have to check with her boyfriend. At that point another movie goer bangs into Jim’s head as he goes to his seat, Jim apologizes despite it not being his fault as Neiman observes his fathers acceptance of what just happened.p.5–6: Neiman enters the dorm hallway, a party is in full swing, he ignores this and goes into his room.
Meet RYAN CONNOLLY. Fletcher questions him on why he is leaving, where’s he going, what’s he going to do there etc. Make the stage. He observes a picture on the wall of a confident drummer throwing his stick in the air mid set, its the opposite of him. He is to turn Neiman’s pages. First sign of approval. Jim trying to make sure his son is having s good time. As he is finished he asks drums to go with him. The band begins and Neiman is hitting the tempo and the notes. Andrew’s decision is made.p.16–18: The Nassau band are rehearsing, Neiman at the drums is missing beats before the conductor asks him and Ryan to switch places. * We pare down the story to its most constituent parts: Scenes.
Is their a line at which you might discourage the next great, Neiman asks.
Directed by Damien Chazelle.
Neiman gets it, Fletcher’s sentiments reflect his own. It is precisely what it sounds like: A list of all the scenes in the script accompanied by a brief description of the events that transpire.For purposes of this exercise, I have a slightly different take on scene. It holds him a second, he walks off pauses and then turns back.p.84–89: Neiman enters the club, Fletcher at the piano is playing exquisitely, clearly taken with the music. The scenes in which Andrew is either playing music, thinking about music, or talking about music are the best in Whiplash. Fletcher tells him he’s done. After he’s finished its back to the music. Neiman realizes he’s forgotten them and says he’ll be back. Fletcher tells the guys to do well and that this crowd will never forget a performance so it’s make or break time. Together, they wrote several songs. Back to business, the band getting ready to perform and Fletcher prepares the band.
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