One of those warm for her form is older brother Robert.Later, she wanders off to a motorway siding to canoodle with her dorky boyfriend, but decides he’s not the one to take her virginity – that’s a prize she’ll pass to some random nutter in a fun pub. In 2006, he spoke about À...À NOS AMOURS was actor Sandrine Bonnaire’s feature debut. He also discusses his approach to directing and cinematography.Catherine Breillat has made such controversial films as 36 FILLETTE, ROMANCE, and FAT GIRL. Classics and discoveries from around the world, thematically programmed with special features, on a streaming service brought to you by the Criterion Collection. We believe in Truth & Movies. A tender character study that can erupt in startling violence, À NOS AMOURS is one of the high-water marks of eighties French cinema.With his raw style of filmmaking, Maurice Pialat has been called the John Cassavetes of French cinema, and the scorching À NOS AMOURS is one of his greatest achievements. She doesn’t crave sex like it’s an addiction, but is determined to make it a regular aspect of her social life. She went on to work with such filmmakers as Claude Chabrol and Jacques Rivette.
Mai 19, 2020; by admin; Inhalt. In a revelatory film debut, the dynamic, fresh-faced Sandrine Bonnaire plays Suzanne, a fifteen-year-old Parisian who embarks on a sexual rampage in an effort to separate herself from her overbearing, beloved father (played with astonishing magnetism by Pialat himself), ineffectual mother, and brutish brother. surtout avec À nos amours(1983), Pialat va devenir le modèle même de l’auteur populaire et sans concessions, qui ne lâche rien de sa puissance formelle et de l’âpreté de ses sujets tout en touchant un public de près de un à deux millions d’entrées selon les films. Telefon: 044 924 45 50 Telefax: 044 924 45 60 E-Mail: [email protected] Kreisbüro 9 Lindenplatz 4, 8048 Zürich. It’s inferred that her effete brother Robert (Dominique Besnehard) hits and demeans her because he, alongside a string of male paramours, is in love with her.What’s so great about this film is that it isn’t about anything obvious. Presented here is Sandrine Bonnaire's audition.In À NOS AMOURS, Maurice Pialat worked mostly with debuting or nonprofessional actors. She carries on chomping a disc of baloney.Yet this is also a film about how free will can negatively impact others. As parents, as professionals, they are trapped in limbo.There’s a spiritual aspect to Bonnaire’s performance as she seems to exemplify some corrupted notion of free will. Suzanne is going through a phase in her life of awakening, with her father living and her brother taking charge of the house soon the condition becomes more dysfunctional. Directed by Maurice Pialat • 1983 • France Starring Sandrine Bonnaire, Evelyne Ker, Maurice Pialat. Presented here is Pierre-Loup Rajot's audition. Maurice Pialat’s A Nos Amours is a movie masterpiece about the violence that comes from being a teenager. With his raw style of filmmaking, Maurice Pialat has been called the John Cassavetes of French cinema, and the scorching À NOS AMOURS is one of his greatest achievements. He reveals that he’s planning to walk out on the family, but this bombshell barely registers with Suzanne because this is the type of brutal spontaneity that has become her creed. It includes interviews with actors Sandrine Bonnaire, Dominique Besnehard, and Jacques Fieschi, screenwriter Arlette Langmann, and critic Jean-...Jean-Pierre Gorin is best known for making seven films with Jean-Luc Godard as the Dziga Vertov Group, including 1972’s TOUT VA BIEN, after which he went on to direct several documentaries and become a professor of film studies at the University of California, San Diego. Film de Maurice Pialat avec Sandrine Bonnaire, Maurice Pialat, Dominique Besnehard : toutes les infos essentielles, la critique Télérama, la bande annonce, les diffusions TV et les replay. Presented here is Cyril Collard's audition.In À NOS AMOURS, Maurice Pialat worked mostly with debuting or nonprofessional actors. In Maurice Pialat’s 1983 masterpiece, A Nos Amours, the family is a cauldron of high-concentrate froideur. With his raw style of filmmaking, Maurice Pialat has been called the John Cassavetes of French cinema, and the scorching À NOS AMOURS is one of his greatest achievements. 1 Romantik; 2 Maurice Pialat; 3 Maurice Pialat; 4 César/Bester Film; Romantik. In a revelatory film debut...In this excerpt from a 1983 episode of the television program “Étoiles et toiles,” director Maurice Pialat is seen interacting with actors and crew on the set of À NOS AMOURS.
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